The registration number on the reverse ties this design to 1913 with more certainty than most antique china can offer — part of a range William Adams marketed by pointing back to their own original 1780 pattern, a maker leaning on over a century of its own history. Chinese bird medallions set within a fine trellis border make this a clear step away from the willow pattern running through most of the rest of this collection, and a good piece to photograph on its own.
25,5cm wide
We've done our best to photograph and describe each piece as accurately as possible, though with antique ceramics, a little craquelure and discolouring is part of the charm rather than a flaw to hide. Every piece is packed with the same care we'd want it to arrive with, and our shipping cost reflects that.
The registration number on the reverse ties this design to 1913 with more certainty than most antique china can offer — part of a range William Adams marketed by pointing back to their own original 1780 pattern, a maker leaning on over a century of its own history. Chinese bird medallions set within a fine trellis border make this a clear step away from the willow pattern running through most of the rest of this collection, and a good piece to photograph on its own.
25,5cm wide
We've done our best to photograph and describe each piece as accurately as possible, though with antique ceramics, a little craquelure and discolouring is part of the charm rather than a flaw to hide. Every piece is packed with the same care we'd want it to arrive with, and our shipping cost reflects that.
